DIGMAAN page 65

DIGMAAN page 64

Note: Vanguard, created by JIM and JAY Jimenez. Serialized sa BATA BATUTA komiks.

DIGMAAN page 63

Muli na pong magbabalik ang Digmaan bilang preparasyon sa darating na KOMIKON 2007. Sana'y tangkilikin ninyo muli ang pakikipagsapalaran ng ating mga bida. Maraming Salamat!

MMK cover

50 pages plus two covers in 10 days. I'm not kidding but that was the deadline Mango Comics gave me for MMK. I finished the pages after 13 days with the help from Lan Medina and Aries Mendoza. This is supposedly my first time to do a love story. Unfortunately, it won't get printed.

Fortunately, they say I still made the cut and I got paid. :)

Here is one of those covers for "Walkman."

Just an update.

Still coloring pages for Tropa issue 2. Here is a panel drawn by Lui Antonio. Also been doing other projects on the side. Need those to feed my family and get enough funds for my books :) A new position was offered recently to me, Let's hope this one pushes through.

Did an almost impossible job of producing 52 pages including two colored covers for MMK in 10 days. Managed to finish them in 13days though. Thanks for the help Lan and Aries :)

As for the Carlo Caparas komiks coming out. I just wish it will succeed in reviving the komik industry's circulatory system :) I have just one complain regarding page rates. If a publisher can afford more, why give your drinking buddies less for their work? Yes, they do not mind, or maybe if they don't take your offer, they feared for the worst. Like no more work coming in from you guys. All I wanted to say is that, these artist deserves more love from a friend. Somebody might think, well they are just not in it for the money. Who are we kidding? We all know time is getting short and in no time, if we get sick or something that might prevent our hands to deliver, we might not have enough funds even for medicine. Try to wise up more. In the end this is a thankless job if you are not too successful and saved enough for you and your family's future. Be responsible.

Komikon 2007 is almost upon us and I must admit I am sooo behind. Hope people will forgive me when they do get their hands on Tropa#2 and Rambol#3 before November 17 this year.

That's all for now. Will be posting more soon as I am able.

Planet X Comics Grand Opening

Planet X Comics Grand Opening
Saturday, July 7, 2007 (1pm-5pm)Level II,
M2 S-2140e TRINOMAEdsa corner North Ave.Quezon City
Tel. No. 915-2744, 536-8070, 914-0040
http://www.comic-odyssey.com
http://www.komikshop.com/

Come Meet Special Guest Artists:*
Lan Medina - Penciler (Fables, Punisher, Silver Surfer, Spawn, District X, and more)*
Mico Suayan - Penciler (Moon Knight, Trakk Monster Hunter)*
Edgar Tadeo - Inker/Colorist (Wolverine, X-men, Iron Man, Spawn, and more)*
Carlo Pagulayan - Penciler (Incredible Hulk, Elektra, Emma Frost, Fantastic Four, and more)*
Jeff Huet - Inker (Incredible Hulk, Fantastic Four)*
Wilson Tortosa - Penciler (Battle of the Planets, Tomb Raider)

Artists will be signing from 1pm-5pm. The first 50 people in attendance will receive a special print created just for this event. Due to time and space constraints, sketch requests from artists will be limited. Full mechanics on sketch requests to be announced at the grand opening.

For more info, please call 536-8070, 914-0040, or 915-2744

Fan Art from JUN MONARES

A former student and a very good friend of mine just sent me via email his Fan art of Biotrog. Jun is one talented guy who is very good with well rendered and detailed pencil illustrations. Beautiful pencil lines that is so hard to replicate if inked. No longer a rookie, he too is now going strong in his career. Building his very own fan base in the comic field. I now, present to you the art of JUN MONARES.

I'll include this within the pages of Rambol#3, Thanks Jun.

Another Tropa preview with inker Boy Sicat!

Another reason to buy issue two is Alejandro Sicat, We call him Boy Sicat, inker for such titles like STONE(Avalon/Image), District X (Marvel). He's one talented fella. I can always see some magic whenever he inks my work. We also worked together for The Saints under Saturn Comics. I trust in his hand and his judgement to give justice to my pencils.

Pencil and colors: Gilbert Monsanto

Inks: Boy Sicat

Tropa preview number 2

Another good reason to pick up Tropa #2 when it hits the shelves soon is LAN MEDINA. Yes, Marvel Comics superstar did several pages for our humble book. Lan is one of the kindest man in local comics. He is very shy in nature but pours everything on paper. he's both dedicated to his profession and to his family. A silent wonderful guy.

There are other reasons why Tropa#2 is special like Gerry Alanguilan, Ed Tadeo, Oliver Castañeda, and other great pinoy artists who did pages and inks for the book. The book symbolizes a certain unity among artists and their love for the medium. I can't get all of them now, but I will contantly do so with the other issues. There are reasons why I did not invite some here...yet. I always consider their strength and would usually cater the scenes for them. I'll show you the no script process I use with these books soon.

I cropped the page to avoid spoiling the story. Sorry about that guys.

Thanks Mr.Medina for the support, for us and the local komiks industry.

Preview page from TROPA 2

Pencil and color: Gilbert Monsanto

Inks: Francis Lim

A cover for Jon Zamar's Digmaang Salinlahi

Cover for Jon Zamar's Digmaang SALINLAHI

Do we really need to change the INDUSTRY or our MENTALITY?

It has been a while since I wrote anything here that is really bothering me for too long now. I know that I was one of them people, who you can call an optimist. Being optimistic gives me the courage to march into impossible odds just to make my dreams reality. I'll always convince myself that everything will always turn out right if you are not doing anything wrong in the first place. That is why i followed my heart and became a comic book artist. For the longest time, I've never been anything but a comic book creator. I've tried everything from writing, penciling, inking, coloring and now even self-publishing. With every step I took, I am always happy to be a part of every title I've worked on. Because I love doing what I've always done, drawing. But being a professional comic artist is not how I started. I've been a READER of comics ever since. That is an essential part of how I understand comics, every part of it. Now, I've read a lot about the POSITIVE side and especially the NEGATIVE side of this industry here in the Philippines, and sadly, they are all true. Imagine going to a National Bookstore to find mangled local titles right in front of you. I gasped thinking they were RAPED!!!! I can only imagine how heart broken these creators feel when they see their hard earned money spent titles in this horrible state. I feel that way, for them and for me. That is how it is today, sadly. I've heard unfeeling comments from people who views themselves a reader, a customer, and the backbone of this industry. What do they have to say? Demands are more like it. Why is your title in english? why is it is Filipino? Why not weekly? Why this why that. But whatever we do to try and entertain the public? They come up with another complain. WHY IN THE HELL DO THEY DO THAT? Are we as a people so rotten not to think of all the hard work and money placed down on the table just to produce the titles they now read? Don't they ever consider how we feel? How we have to twitch and turn our bodies inside out JUST to print those babies? We are the parents of those titles, you tell us how you feel about it, we consider, we plan to give you what you'll need, ALL if we could. MOCK them, we bleed.

The industry is sick, needs medication. Beaten down by discrimination from both ends of the spectrum, the literary side and the artistic side. Yet, always taken by movies and television only to be RAPED yet again by their own brand of injustices. The revisions of unholy concepts just to play god on the poor creators who are trapped with a notion that who ever has the money are the boss. In this, we too suffer.

As for the big question why the price is way too high? I guess you have to find that out for yourselves. Just think about terms like PRINTING COST, DISTRIBUTION, DISCOUNT FOR THE STORE which could go as high as 40% or more. In fact, even if you've managed to sell half of the print run? All the expenses and the leg work done just for these books to make it to the readers is enough to STOP any small publishers, almost better let it die down and stop. Imagine again all the spoilage of mangled copies, not a pretty sight.

We do this out of love. So STUPID for so many to think other wise since, it is all very clear that there is no MONEY. Oh wait, you mean those mini magazines with 98% ads? sorry totally not COMICS to me. And the reprints of old comics running solely because of all the ads? Well, NOT our industry, non PINOYS are not included here. Just to be clear, I'm talking only about the local Komiks here.

With all these obstacle, how can one be optimistic? I know I am not, but that is not the point. It is a matter of principle. We let go now? IT IS OVER! Now, I know alot wants that. That should never happen, we fight! It is not the time to accept defeat. It is time to PUSH BACK! We hold hands as creators, not as individuals with personal grudges, as professionals. Tell them to learn from us, from these mistakes we hope to shape the next generation of Comic creators to be wiser, stronger, more adapt to every scenario.

I don't care if you are against or with us. This is not a request. If you are a komiks lover, by God Prove it! If you can't say anything productive... SHUT UP! If you hate because you are one sad individual... SHUT UP! But if you have solutions, stand up and be heard.

Tapusin na natin ang mga TALANGKA!

LOVE THE FILIPINO KOMIKS INDUSTRY

This one is like the other side of the same coin :)

from my friend John Becaro.
http://johnbecaro.deviantart.com/

I STILL LOVE THE FILIPINO KOMIKS INDUSTRY
Journal Entry: Wed May 2, 2007, 2:49 AM

I STILL LOVE THE FILIPINO KOMIKS INDUSTRYThis is but just a random thought, but I would like to share this to everyone.If there's anything I could say why I love the Philippine Komiks Industry, I would always say BECAUSE I LOVE IT SO. I don't need to explain it coz it's an attachment that I cannot simply measure.If you love something, You will do anything for it. sEE? It's unconditional love no matter what. Free from boundaries.Deep inside attaching to our soul.Yes. Blind as it is. But that's how I love. I see to it that it is more on heart and not more on thinking. Because if we think too much, we will always end up to what is ideal and may sometimes fall into being unreal. Yes. Love Hurts. But that is just a process.A process that will keep us more strong in our journey on what is call life.Regardless, if it is done in different style, Western, Manga or Not; Glossy or newsprint, Black and White or Colored;Tabloid or 8.5 x 11 format; Distributed locally, nationwide, or International; published mainstream or indie; Horror, superhero,Fantasy, real life or Not. Komiks, Comics, Komix or Not. Tagalog or English. Wether it is sold out or not. As long as it is Done for our Filipino People, I don't care, I will still Love the Filipino Komiks Industry.THE PHILIPPINE KOMIKS INDUSTRY DESERVES A CHANCE. If you hate it because there are companies and crews that threats each other as animals, then you must not hate the industry, you hate the people who does it. If you hate what is the current happenings on the industry because it does not meet the ideals, then you must hate the Events that transpired.and not the Industry.THE INDUSTRY IS BUT JUST A VICTIM on events that transpires on it and by some people that surrounds it.Can you see it? IT SUFFERRED ENOUGH, IT DESERVES HEALING AND HELP FROM US. BLAMING THE WHOLE INDUSTRY IS BUT JUST UNFAIR. There are so many people who cared and loved it more than we know.How about them? Do they deserve hate because they belong on this so called industry? Is this a time for blaming each other, now that our Industry needs the enlightened people the most?It all boils down to attitude problem and not on the Industry that deserves to grow.If you think there is a problem on the industry , propose a solution. If you think you hate the industry so much, go out and find other industry coz that will be good for you and would surely distress you. Leave us and we will always find ways to make this industry alive on our own little ways. Who knows in the near future? That's just simple.Expressing hate does not help anything, it just creates another mis- understanding and negative energies that will blocked us to grow and become mature.The best thing we could do for now is we start on our own and do not just rely on this so called "revival" or "industry" that keeps us always into pressure.Learn from the mistakes of the past and do our best not to make it happen again.The Industry is US and will start again on us. Everything we do now will contribute a lot on the upcoming years to come.Believe me, there is hope, it simply starts on us. It is not attainable right now but it will be. A new era of Philippine Komiks Industry has arises even we still did'nt realize it for now.With the awakening of the new generations of comics creators and enthusiasts, there is still a chance and a room for CHANGE.We need more people who love doing Komiks. _For the Love of Filipino Comics.

Hate The Local Comics Industry

I got this from a deviantart account. Wht do you guys think?

http://huckbeine.deviantart.com/journal/12712767/

I Hate The Local Comics Industry
Evil Princess Laura

For someone who is working in the comics industry, I don't like the things that are going on, or nothing that is going on. Someone really needs to say it, but a lot are scared to do it. So let me be the first to say it.

My industry pisses me off real good.

There, I said it. I frankly don't care anymore if I gather a lot of flak for this statement. But I do care much for the local comics industry, as to make a very bold statement. I have no stake in this article and the situations I will tell, and I am not putting myself on a pedestal here, making myself holy or something. So why should I care very much? Because the local comics industry is hurting itself and my reputation.

Everyone is responsible for what the Filipino comics industry is in its sorry state right now. In just my short stay in the comics industry, a lot of things happened that is making me pissed about our comics industry. From publishing houses to comic artists, from comics distributors to comic buyers, their actions have pissed me off.

Let's be brutally honest. The Filipino comics industry was already on the deathbed ever since the “exodus” of many great Filipino artists to America. A few heartbeat is shown in the era of Funny comics and the Filipino comics industry was finally declared clinically dead after the crash of the Culture Crash Comics. Any comics that published after the Culture Crash Comics is nothing but a feeble CPR attempt. But we will discuss that in another day.

A lot of comics tried to bear the mantle of the Filipino comics industry, but failed. A lot of comics enthusiasts have been telling me that the industry is revived again, with a lot of comics are coming out. Sadly, these comics never last a year or three issues, whichever comes first. Or if I ever see one that is doing well, it is usually a graphic novel format made by an artist that made his/her name internationally. Unfortunately or rather fortunately, that is not what is making me pissed off.

I have encountered publishing houses not doing enough and not supporting the comics enough for it to sell. I have encountered publishing houses using the same distribution channels that are used to distribute sexy magazines. I have encountered opportunist coworkers who are scheming to gain control of the comics. I have encountered comics editors that they don't know what they are doing. I have encountered comics editors that thinks that comics should always have something that readers can learn. I don't know about him, but comics are always entertainment first. If I want to learn something, I read books, I don't read comics to gain IQ points. I have encountered editors that are quick to jump sinking ship when the comic's future is grim, leaving the writers and artists to fend for themselves. Sadly, this is still the tip of the smoking gun. I have encountered artists that only wants to make a quick buck, drawing 10 minutes sketches of characters in various poses on a piece of paper and call it a comic. They never put an effort in making a coherent story, just slap some drawings together in many panels with those characters saying stupid one-liners and call it a comics.

I have encountered artists that are very egotistical, when I criticize their work, they keep saying to me “You can't draw, so shut up and appreciate my drawing.” I have also encountered stupid arguments from artists on both sides. There are those old artists that thinks that "Komiks" should always be made in Tagalog/Filipino and put in cheap paper and sold cheaply. These are also the same type of people who are quick to dismiss the efforts by the people who are publishing manga-esque comics. And there are these new people and younger artists that think that the world revolves around them. They don't study the history of comics in the Philippines and learn from it, they just publish comics based on gut feeling and basing it on how well the anime and manga are doing in the Philippines. Both sides have fair share of idiots.

There are comics distributors that will put local comics in a very low visibility shelf in favor of foreign comics and manga. That puts the local comics industry in another disadvantage when battling against foreign comics and manga when your comics can't be virtually seen. There are also comics distributors that want their logos in the comics or paying them with boatload of money just in order for you to sell your comics through them. A lot of comics publishing houses knows what comics distributors I am talking about, so I am not going to name names. And there are other comics publishing houses that treat other comics publishing houses as competitors. While that is true in business sense, that kind of thinking will hurt the industry much more. In amidst in the sea of pirated anime DVDs, foreign comics and manga, what is needed is all of the local comics is to band and complement each other in order to stay afloat against all odds. Because anyone who thinks their comics will single-handedly revive the local comics industry is stupid. Okay, maybe not stupid, its extremely stupid.

Then there are those kinds of people that read comics only on newsstands. They take a perfectly good copy of a comic, tear apart the wrapping, read it thoroughly, making big creases on the pages, putting oily fingerprints on glossy pages of the comics. And after all that use and abuse, these kinds of people will just put back the comics to the shelf. Unsold. And to make matters worse, if someone also wants to read the comics while someone is reading it, he will grab another copy, tear open apart the wrapping, messing up another good copy. After all is done, they will put back those messy copies to the shelf. And those copies will never be sold. Because, let's not kid ourselves, any kind of person that will buy a messy and ruined copy of a comic is a big idiot.

And there are those kinds of people that will keep complaining that the comics are either too western or too anime for their taste. They kept lashing out at comics publication for not publishing comics with the distinct “Filipino” art style instead of buying comics and supporting the local comics industry. Sheesh, I don't know what these kinds of people have in mind when they are thinking of Filipino art style for comics, but I tell you its not going to be pretty. Even with the local comics boom in 1960's to 80's, the art style used in those kinds of comics are distinctly western. Well, bad news for them. There is no Filipino art style, period, end of discussion. If these kinds of people want “Filipino” art style, they will have to look at Aeta cave drawings.

Sadly, I'm not making this stuff up.

I don't know what exactly needs to be done in order to revive the Filipino comics industry. But if you do care about the Filipino comics industry, then every one of us need to do something about it. Because doing something about it is better than only discussing how to revive the comics industry. That is the only way to fully revive the local comics industry.

The proof of RAMBOL 2

One more week, we got caught up with Holy Week and we had to fix some typos. Also been busy setting up a new business at Marikina Riverbanks Center. Anyway here is a pic of the proofs.

Reno Maniquis' MASKARADO

Here is a pin-up offering for Reno's Maskarado Special Anniversary issue.

A new event in May!

Where are they at?

This is a sketch sent by Renie Palo, showing where in SM Manila NBS, copies of Rambol and Tropa are located, not where they should be. We already called them up but until now I guess they did nothing. Sigh. But thanks to this sketch posted here. I guess, anybody who is from Manila now knows where to look. Thanks Renie!

Also, Rambol #2 will be on its way to the printer within the week, finally. So, it won't be long now for copies to hit the stands. :)

Ad nilabas kahapon(MONDAY) sa Libre na newspaper :)

I had to go to and ride the MRT just to get a copy of Libre newspaper, can't find any from the Ortigas stations, the ones I can see are held by passengers, finally at the Shaw station, i found a security guard not holding his copy of Libre. I took the newspaper and pretended to browse and I did find our ad for our Doodle Camp workshop. I decided to ask the guard if i can have that copy for myself, fortunately he said okay with a surprised look on his face. i just don't want to go home ampty handed. the newspaper anyway is free. i just hope he was done reading it.

Komiks Congress? What I think?

I think that it should not be just about one man, who feels that the lead cast of " The return of the King" thing. It is about komiks and how we sell them back to the hearts of our beloved readers. The real lifeline of this Industry. It is not about styles, nor from what group or tribe you are in, especially not about who is better. It is not about seniority either. This is about the future. We've placed our trust in it, that we are doing whatever we can just to achieve and accomplish as much as we have. Don't mess with it.

I think that the real difference from the komiks of today is that they or we since I was once a part of that dark tradition where we were mere contributors of the big companies then, puppets of playing siblings playing gods. Komiks today are done by young, dedicated and should be considered heroes of today. Imagine these creators are not getting much from each herculean step they make just to revive a sleeping giant. When the so called masters turned their backs to work on other more profitable jobs like animation and such when komiks was sick and dying on its knees, we fought harder. They never had the courage to self-publish because they know it is suicide, yet we dove in and took on the challenge. We are the komiks of today. We respect them for who they are and how they inspired us. But for them to claim victory to something they did nothing for a long time? PWE!

More branches to find our komiks

Soon to be found on more NBS branches, Tropa and Rambol Komiks will soon be available at these branches:
Robinson's Place Lipa
Cabanatuan ( NE Pacific Shopping mall)
Robinson's place Iloilo City
Gaisano Mall Davao
SM Batangas
SM Lipa City
SM City Davao
SM City Cagayan De Oro
SM IloiloGaisano City, Bacolod

I think within the week or early next week. Copies will arrive to those branches.

The world doesn't owe YOU anything. Please...

A bit hesitant writing this down but I guess I need to get this out of my chest. Have you ever been called up or texted by your relatives before and the minute you do, you know it is just because they need something from you? My relationship with some of my relatives have always been on Low key most of the time. Everytime they call, I just don't feel good about it. It is just the way they say things I guess, you know like it is just so normal for them to ask favors as if they were asking for candies. When I was a kid growing up, I never really think that any of my relatives supports me, some do but not the way I expect them to, simply because I don't expect them to. I've always wanted for things to look up ever since my parents got separated. I've never asked any of my ninongs or ninangs for help. I've been with lots of different relatives and have always felt like a bouncing ball, always gets passed around. Nothing to complain about though. We all should know by now that a Guest in the house becomes Pests if they over stayed their welcome right? The only real house that I loved growing up with is actually in the slums with my Lola Petra (Mother side) who passed away too soon. She was the only one who believed that I was good and she was determined to guide me, she lead by example. I've always been a naughty boy growing up and I can still remember being so stubborn and would shout back at any elders if I don't get my way. She stayed calm through out those years until I finally came to my senses. My lola is a saint. She told me that people no matter what should not step down on other people, but instead be helped. In that little house made of old wood, I stayed with her together with My uncle and Auntie Nita ( who helped me get the things i need and not what I want. Always be grateful for that.) and my cousins. Funny, I had more fun there than anywhere I stayed. Unlike them, a few of my relatives now tend to think that in some strange ways I need to help them. I don't know why. It really hurts that every time I invite them to parties and such, they would be so busy that you even have to get them a service just to attend. I even have the worst experience that whenever I got sick? Friends and not relatives would help out. When I was experiencing so much back pains and could not move, I called someone for help, he just said, he can't come visit or take me to the hospital because of work. Luckily, the pain subsided. I guess it was due to stress. Most recently someone called up and even told me that she knew about me lending money to my sister. What gall huh? That sister was one and would most probably my best supporter in life and career, she helped me during my lowest times. I would certainly lend her a hand in an instant. My wife, even asked me with much surprise on her face. Why do you care so much for people who is never there for you? A question, I've never entertained until now. To all of you who can read this. Try to remember that relatives are not there for favors. but instead for company, call because you care and not because you need something. Talk about the good time and all the bad. If we do have that kind of relationship, maybe then and only then can we share favors together. I love my relatives, I really do. But I think they should do what I did. Don't ask for too much favors, survive.

TROPA and RAMBOL off to NBS CEBU branches

Just went to the forwarder today and they said that the packages will arrive Cebu by tuesday. So expect to find Tropa and Rambol komiks in National Bookstores there very soon. :) Whew! Still a few more branches to work on.

TROPA and RAMBOL available in Schools :)

By tomorrow, two new locations will be added where you can find Tropa and Rambol Komiks. Courtesy of POTATO ISLAND located inside San Lorenzo(school)in Laguna and on POTATO REPUBLIC inside Las Piñas College, so you can enjoy your French Fries, Ice cream and our komiks together :) We hope that soon, komiks and school can work hand in hand since during my High School years, our comics was usually got confiscated so we have to always hide them inside our backpacks. Comics are reading materials, pure and simple and should not be seen in any other way that what it is. To promote reading, we should not limit options. We should instead encourage whatever works, especially during this age of arcade games when more and more kids prefer watching and listening over a nice and peaceful reading. Comics IS an Ally. That is our promise.

TROPA and RAMBOL now available at National Bookstores

We've managed so far to distribute copies to National Bookstores, we are yet to complete our distribution to the far ends of manila and the provinces.

So, Tropa(75 pesos) and Rambol komiks (60 Pesos) are now available at these branches:

SM CITY bicutan, SOUTHMALL, CASA Filipina Arcade, Festival Mall, South Supermarket filinvest, SM Sucat, Jaka Plaza Paranaque, SM Manila, Harrison Plaza, Robinson's Place Ermita, CM Recto, Tutuban Center Mall, SM San Lazaro, Market Market, Q-plaza cainta, Sta Lucia East Grand Mall, Rizal Ave. Manila, Katipunan, Northridge plaze proj.8, SM city North Edsa, Quezon Ave., New Farmers plaza, Ali Mall, Super Branch cubao, Edsa shopping Terminal, Robinson's place Pioneer, Robinson's Galleria, Greenhills,Big R junction, Ever rosario pasig, Raymundo pasig, The Podium, Shangri-la plaza, Megamall bldg.A, Glorietta, and Greenbelt.

We are not sure about the visibility of our products but you can always ask a saleslady. Please do check them out.

To read more about the titles:

http://jtmtzrwj.blogspot.com/search?q=komiks

http://gilbertmonsanto.blogspot.com

We are so new to this business, but we strongly believe in our titles. Our next step is to hold on to those belief of producing quality komiks for more people to enjoy and ... a whole lot of prayers.

Sacred Mountain Publications

RAMBOL cover 2 preview (Alagad Inc. side)

Here is the artwork cover for Rambol Komiks by Kriss Sison :)

Bea and Boy, learn more of them and their early beginnings. This issue will reveal more about the formation of Alagad Inc., these two and why Girl hates(or love?) Boy! :)

Also find out what will happen just to find the champions to face the God's challenge.

Coming very soon from Sacred Mountain!

Writer and colors(internal pages): Gilbert Monsanto
Artists: Kriss Sison and Lui Antonio(flashbacks)

Pag lumabas, 60 pesos pa rin!!!

The email that struck like lightning!

Just woke up around 3am, took a nap while finishing Rambol #2 pages. My wife told me, I got mail. I was surprised to see who it was from. Now I truly believe in the power of the internet :)

The email:

Hi Gilbert,

It's only now that I saw your Kapitan Kidlat version which was posted in your blog webite January 2006. I must say it look good. I hope to see your own version in the near future. My father created Kapitan Kidlat especially for young Filipinos like you. If Kapitan Kidlat is the first Filipino Fictional Superhero (pangalan pa lang pinoy na pinoy na!), I can certainly say that you and other young Filipino artists are the first Real Superheroes that's putting the Philippines in the top class of the animate/print comics industries. Keep up the good work.

God Bless!

Leonardo "Bobby" Abutin, Jr
Seattle, Washington USA

Imagine that? Thank you sir for your appreciation towards our efforts. I'll send you a personal reply very soon. Well, I guess I have to hit the sack. Tomorrow's another hectic day and we'll be delivering copies of Tropa and Rambol at NBS branches again, greenhills area I think.

nite nite-- err g'morning na pala hehe.

RAMBOL issue 2

As requested, here is the preview of RAMBOL komiks issue 2. I hope I can finish all the pages soon, so we can release it within this month of February. Flipbook format, 60 pesos. Featuring two action-packed stories, Gilbert Monsanto's Metropolitan and Alagad Inc. with interior art by Kriss Sison, Lui Antonio and Gilbert Monsanto.

TROPA and Rambol Komiks Now available at COMIC QUEST!

Finally abled to drop off copies of Tropa and Rambol issue 1 at Comic Quest in Megamall and at Festival Mall, 4th floor yesterday. With every purchase, you'll also get a free poster from Sacred Mountain Publications.

Please visit their stores soon.

TROPA and Rambol Komiks Now available at COMIC ODYSSEY!

Yesterday, we've finally managed to drop off several copies of TROPA #1 and RAMBOL Komiks #1 at Comic Odyssey Robinsons Galleria. I hope new people will check out our titles. Also, I'll be joining Philip Tan when he visits the shop and sign comics for everyone. I am looking forward to see Philip again, who’s doing wonders for SPAWN.
Anyways, we think that Comic Odyssey is a very nice place to find comic treasures. The set-up is neat and very easy to look at, giving comics the highlight they deserve.

Hope to see you guys there!

Comic Odyssey Robinsons Galleria,
Ortigas 3rd Level Expansion Mall
tel. # 914-0040
Sunday, January 21, 2007
From 1pm - 4pm

a little preview for 2007

Here's hoping for an exciting New Year everyone!

BUSY BUSY BUSY!

I was not able to write or post anything here for quite some time now. Must be the season. We've been so busy with lots of upcoming family gatherings and outings. Relatives from UK and the US will be spending the holidays here in Manila so it will be a massive reunion with lots of kids and it will be all fun and body aches :) Aside from that, I've been juggling to keep up with deadlines and recently, we had a major termite invasion and we had to evac our stuffs from our room. 28 big boxes total. I am amazed on how we managed to fit all those stuffs inside a small room. I had to plan ahead just to make it work when it is finally time to return them inside. But I this will be one memorable Christmas for sure. As of now we still have to plan more parties before Christmas. Plus having our newest baby boy needing all the care and attention from us. There is just no time to spare. I even had to return to my old ways of working late as in up to 3-4 am just to keep up with the deadlines. Feel like a Zombie sometimes. A bit cranky even sometimes. Getting old I guess :)

Anyways, i'll to post in updates on our books.

Also, please check out Enchanted Kingdom, the Christmas issue. I colored some pages inside for them. The art on those pages done by my friend, Jim Jimenez and lettered also our friend, Reg Ting (ex editor for DC Superheroes and DC kids Philippines).

I guess that is it for now. I'll post new stuffs soon.

-G

METROPOLITAN FAN ART by RENIE PALO

Renie Palo sent in this beautiful fan art for Metropolitan. Thanks Renie!

INTRODUCING SHAWN DAVID MONSANTO

We like you to meet our second baby who was born November 15 around 2:20am.

Druid's Keep 2nd anniversary adventure.

Last Saturday, I went to the 2nd Anniversary of Druid's keep in Magallanes. Gerry Alanguilan was there to promote and sign his very successful title Elmer now on its second issue. One thing I noticed when he signs his books, he'll be comfortably slow and felt like, he was actually drawing his name on the book. I admire that actually. Me? I'm a speed freak! I did some speed sketches for fun. I sold some issues of Rambol and Tropa plus gave out some free posters of Sacred Mountain and I am content that new people tried and I hope will enjoy our titles. Gerry encouraged me to write down some of my views on how to improve the current state of komiks. I'll have to polish that thought before posting it here in my blog. I really enjoyed our conversation and the delicious BBQs Mr. Cua has prepared for the occassion. Thanks Felix for the support and Happy 2nd Anniversary!

Another look back at komiks 1994

Just a week ago, Mr. Rod Espinosa wrote me an email. Rod is just one of our local artists who migrated to the US and continued their profession abroad doing comics. He's already done numerous project under Antartic Press. I actually colored some of his pages for "For Eternity" when it was reprinted here locally by PSICOM.

I happen to have a copy of his old work while working for TERMINATOR komiks( Sonic Triangle ) he worked on "CYBERINA" while I did X-Trooper inside the said Comic Magazine. We haven't met personally but is good to know that more of us back then are now working on more projects that are internationally released.

Keep the magic coming Rod!

METROPOLITAN fan art from ALAN GALLO

First ever fan art for Metropolitan from Alan Gallo.
http://rowper.deviantart.com

Now available at Druid's Keep

Rambol and Tropa

Now available at

Druid's Keep

3rd Floor, Gateway Mall

(where Rustan's is)Magallanes

Get Tropa and Rambol by mail!

Great news! You can now get your copy of RAMBOL KOMIKS and TROPA by mail! Just follow these simple steps:

Step 1: Go to any nearest BPI bank and deposit the correct amount to the account as shown below. Please write clearly to avoid any errors.

GILBERT MONSANTO
Savings Account Number: xxxxxxxxxx ( due to security reason, please email us a request letter to proceed with the transcation.)

Step 2: Write down your name, complete mailing address, telephone or cel number or email for confirmation on a piece of paper and fax this, together with the validated deposit slip duplicate, to 6556780 or scan the said duplicate and send as attachment via email to smp_letters@yahoo.com

Step 3: Wait for 10 days for a package to arrive.

Remember that when you order Tropa #1 and Rambol #1 as a set, you’ll be receiving a FREE POSTER from Sacred Mountain Publications.

Note: LVM means LUZON/VISAYAS/MINDANAO

We are still formulating ways to send copies outside the Philippines, so stay tuned!

RAMBOL cover 2 preview

The LAUNCH, a RAFFLE and then SOME

Komikon 2006 was a blast! The launch for both Rambol and Tropa was a success with a lot of positive feedbacks. The place was full of creative geniuses in the field and it is nice to have a chat with most of them while I made my rounds around the area. Aside from selling our komiks, we had a little something for those who would buy from us on that day. We have this small scale raffle just for fun. I prepared an original artwork of BIOTROG for a lucky individual who bought a set of komiks from us.

I know it is not much but I felt that a little token of thanks is required for the support they gave us and our book. So just yeserday, we started the raffle, we designated numbers to each of their names and placed them into a small container. I was actually suprised to see lots of respected comic creators' names on the list. Truly, the comic industry in the Philippines runs on a close and much welcomed support system.

Later within the day we called upon our very own version of a DTI (Darling Toddlers Inc.)representative and he eagerly lent us his hand on picking the winner for the draw.

The winner with a number 10 on his listed name, is none other than Dominique Cimafranca with only his blogsite written on the paper, villageidiotsavant.blogspot.com I'll have to email him to ask him his current address so i can send him the original artwork.

That night, with much energy to spare. i decided to work on the 2nd issue cover for Rambol. During my time working in local komiks, I've always wondered who will win between X-Trooper and Biotrog. In this issue, we will finally know and it won't be a tie unlike the rest of this kind of slug fest story that has been done again and again in Marvel/DC books.

Tropa and Rambol Komiks

It is now official! We'll be releasing two titles this saturday at the KOMIKON 2006. Tropa priced at 75 pesos and Rambol Komiks priced at 60 pesos. If you buy one of each together, we'll give you a special Sacred Mountain poster for free! The poster itself is priced 20 pesos if bought separately. Hope to see you guys there.

Sacred Mountain's first baby delivered!

My wife and I, considers Tropa issue1 as just one child to be born before the end of this year. We hope that Rambol issue 1 will be delivered by next week, just in time for the Komikon this year.

The copies of Tropa is finally in our hands. Now we'll need to put them in plastic bags. We're formulating a way for people outside NCR get a copy possibly via snail mail. I'll get into that process soon and post it here soon.

Tropa is a full colored book, 52 pages including the cover and priced Php 75. We hope that people will give our books a try. If everything goes well, and I pray it does. Sacred Mountain will be producing more books to try and help Komiks back into shape. I've heard alot of exciting titles coming out this year from other fronts like Alamat, Mango Comics, Komikero and other studios and I hope that Komiks will once again be more visible and available to more readers. These are all good signs.

Kita kits sa Komikon!!!

My answer to another letter.

Good day sir!

You may have heard or read this question a million times, but how does one get to apply to be an artist in the local comic book industry. I dont have any one to back me up. Just plain old hard work.

Thanks!

My answer:

Chris,

There are several ways to break into comics:

1.) Self-publishing- More and more publications now are looking into those independent titles. Because they can really look at your work in a finished and polished format. This is beneficial to you as well. You'll get your very own signature product. This will also be your testing ground, if you'll have a fan based audience who will support you with other and future projects.

2.) Create your own gallery on the web. Easy access to potential publishers, try to open an account, either a Deviantart or a simple blog to showcase your work. Your goal is to entertain possible readers of your work.

3.) Join a group, there is power in numbers. Working with people can really help you improve. It will also be a rewarding experience since most artists are loners. Social skills should be encouraged.

4.) Whenever people say that you need more practice, that means you need to learn more about your weakness and strength. Improvement is the key word. If you'll practice and practice doing the same routine? Chances are, the results will be the same. Try new things, if you've mastered a technique, move on and work on new techniques until improvements are evident. You'll know because people around you will tell you exactly that.

5.) Dedication- Comics is a lifestyle. If you are going to try this out of curiousity or as a hobby, do so. But, be quick to stop if you feel it is not working out. Because if it does not work out the way you want it to happen? It never will. it takes a lot of heart to stay in this business. It will only get easier if you love doing comics.

Hope that helps,
Gilbert Monsanto

RAMBOL proofs

I think Rambol will also make it this Komikon, Yehey!! Here are the proofs. I think the copies of Tropa will be delivered within the week. There's so much to do after that. I am working on issue to as we speak. Hope to see you guys this Oct. 21 at the Komikon. More updates soon.

The proofs

Presenting the proofs for Tropa. Because of the Storm Milenyo, the printing is taking more time to finish than expected. I'll post in more images of Rambol very soon as well. Let us just hope that at the end of next week, the copies will be delivered to us.
As Milenyo was doing its damage on us all. My PC was also affected by the storm as a result ruined four fully colored pages that I had no choice but to redo all those pages. Now, all we can do is wait and see if RAMBOL komiks can make it to Komikon 2006 as well.

More updates soon.

"I AM A KOMIKS READER" ART RECIPIENT IS...

Rodel Timbreza is the lucky recipent of an original art from me. His request? Thunderstone. I created this character in 1991, if I am not mistaken, and I am surprised he even remembered Thunderstone. Here is the pencilled art I made for Mr. Timbreza. I've decided to ink this one as my publisher won the arguement that the art will last longer inked. :)
Unfortunately, he forgot to write in his mailing address. I've already sent him an email about this and will just wait for his reply before we send this thru mail.

Thanks to everyone who participated and for those who haven't yet, you can still send in letters to smp_letters@yahoo.com. We'll probably send an original art within the next month if more emails came in.

Thanks again,
Gilbert Monsanto

KOMIKON POSTER

15 min CATWOMAN for a JAM

Here is a simple 15 minutes Catwoman for a friend's Blog JAM! Hoping this is okay DADICUS! :)

ikatlong hirit

Ikalawang kiliti

Unang silip

UPDATES

Been busy lately. Finishing our first book is both exciting and exhausting. Especially if your publisher is your wife. "Yes Dear!" is all can say to that. It is done and the next step is the printing process. I am now working on the second title. We decided to try and finish the book for it to also make its initial debut at this year's Komikon. The book is a Half/Half in nature ( no, not in terms of Gender), because half of it will be Manga influenced and the other half is Global ( western/europe/komiks or all of the above classification of style). Whadayouknow, manga is the only category divided from the rest. Anyway, I do not believe in all that what style should be used. I believe however that comics should be one thing. A good product! Whatever style we like to do, that is our option in life. It is like religion. We respect the person no matter what religion he/she is in. Anyway, hope to see you at the Komikon 2006, we'll be at table E22, right next to Gerry Alanguilan, as I've been told.

I'll post in images soon. Promise! The title of the book by the way is TROPA. The book is all about friendship and the adventures that take us in by the power of brotherhood and all that stuff that shapes us into who we are, individuals one and all.

I am not alone in this, Jim Jimenez, Kriss Sison, Lui Antonio and newcomer Marvin Maglaque joined us to bring you the 1st ever issue under Sacred Mountain Publications. Although I have to color the whole 52 pages of it, with my wife Glenda. My friend, Reginald Ting helped me with the letters. Whew!

Oh I am going to start selecting an email sender for the "I am a komik reader" and should be able to show you what the lucky sender will be getting in the mail :)

Until the next update! :)
-Gilbert

Paypal

Komiks should be made cheaper?

Another topic about komiks, this one from John Becaro:

For what I have observed nowadays, people really miss reading affordable comics...So it is advisable if we could lay affordable comics yet very high in quality.Yes, if we will try to check the demographics, ages like 20 up really seem to miss reading comics(because they belong to the generation of reading comics between 1990's-when the comic industry is still up).20 below, teenagers tend to buy comics if they have an extra allowance on them.So if we will check below puberty line class, they prefer to buy food than reading comics.But they also wanted to buy if it is afforadable due to their limited access on entertainment and internet.Middle Class will have a probability on buying a comic book but will just check it as an option on their shopping list.So they still prefer buying their "needs" and not the "wants". Upper Class will highly buy a comics if their attention are captured.As of this moment we still have the chance to make the industry became more bigger by considering the demographics.If we wanted to achieve potential marketing we have to make sure it is accesible to all market ages and demographics. Who will read the comics,?How much is the price?Is it worth reading ?And how can we relate it to them?And is it entertaining?This are the probable questions that would help us achieving our marketing strategy.

My answer:

John,
I think we have a dilemma, it is easy to say that we should print komiks using cheaper materials akin to what Atlas/GASI used before. We can say that it will be better since the art will also be better. We can do that yes, but remember the komiks of yesterdays are refered to as "Pambalot ng tinapa." What are the odds that they won't do that again today? I think image and materials are big factors to show the new readers/consumers of todays komiks to give the proper message that THIS product needs care and IS worthy to be called collectable buy. The old komiks that survived in my "baul" are all so muddy and full of creases, not because of mishandling but because of poor choice of material. I think our komiks should shout out to potential buyers " INVEST IN US." That includes the product's overall look from the writing to the art and most especially in the paper used. These little things give komiks its' soul.
Have you ever wondered why people rented their local komiks for 50 cents while people would not just hand out their imported comics to friends? When I was in high school I would trade my issue of fantastic four with my classmate's X-men title for what? collateral. Yes, we value our comic books that much. Why? Because it is so expensive. Simple logic to me that only those who value a comic book of komiks should buy komiks. Only with respect to this medium one should open and read through these pages to be rewarded with months of preperations that the creative team placed into it so that at one special time will be given to a reader.
The old ways is dead to me. Since I came from an era where komiks are made cheap and talents are paid measly amounts, just to make sure that the publishers are assured that their talents are made to grab anything that is offered to them. The real reasons why we were called contributors states the obvious. We are not employed, we are contractuals. We don't have nothing but the hope that we'll still be needed by editors for as long as we can last. If we asked for more than what they give? it is so easy to replace us. There is no royalties in the Philippines, well not in komiks magazines. The logic behind this is simple, a lot of people working on one title. It's almost an impossible feat just to give a certain amount to the whole hungry mouths and divide them evenly. But I am convinced that this is not so. Imagine a book with 20 creators, every issue sold 30-100,000 copies. If the publisher really wanted to give royalties, they can. I believe in the US, they would give like 5% or less to every issue sold to the creative team. It can now be divided to each of the talent. It is being done by the music industry here in the Philippines, i think it is best to do the same thing with comics as well.
So many things to point out but I still think that komiks should be given the quality treatment it deserves and should not just be bought because it is cheap to begin with.
-Gilbert

Lead Slingers challenge at Komikon 2006

go to http://www.jonasdiego.blogspot.com/ now!

About a letter.

I just received this letter from a former student of mine, I must admit it really is quite depressing. The more I believe it should be addressed.

The letter is written in tagalog so pardon for those english reading peeps out there.


Heto pa po ang ilan sa Drowing ko...
Sabihin ko lang po ang mga nangyari sa akin upang maibsan ang hinanakit ng damdamin ko...

Kahapon po noong nasa national bookstore ako, nabadtrip po ako...Nakapuwesto ako doon sa may Graphic Novels, may dalawang estudyante doon na nag-uusap at tapos bigla na lang sasabihin sa comics na "Kadiri! Uso pa ba iyan?"...Sa totoo lang po, talagang naiinsulto ako sa mga sinasabi nila!!! Hindi ko na pinansin (balak ko sanang lingunin) dahil pananaw nila iyon at wala naman po akong magagawa...Kasi lagi na lang ganito ang pananaw ng marami sa Komiks eh! Ganito ang napapansin ko po ngayon! Nalulungkot nga po ako kung bakit ganito kababaw ang pagtingin ng mga tao sa comics...Minsan naiiyak pa po ako eh!!! Lalu na, pag bumabalik iyong masama kong nakaraan noong hayskul...Kasi mahal na mahal ko po ang comics...Noong sinabi ko na gusto kong maging comic artist balang araw sa harap ng klase noong inenterview kami ng bago naming guro, pinagtatawanan pa ako ng iba (pero di naman lahat!)...Sama ng loob ko noon! Meron pa akong kaklase na pilit akong dinidiskurahe at sasabihin pa po "Alam mo noong bata pa ako, nagdodrowing din ako! Kaya lang, pinipigilan ako ng tatay ko dahil wala namang mapapala diyan kaya hindi na ako nagdodrowing!"...Hindi ko naman po pinapansin at tinitiis na lang ang pang-mamaliit sa akin...Ganun kababaw ang pagtingin nila sa akin dahil lang sa comics...Naalala ko tuloy iyong sabi ng mga kacomic geeks kong friends at iyong nababasa kong kwento ng iba sa forums...Tinutukso pa nga raw silang wirdo, isip-bata at autistic sa iskul pagdating sa komiks...Bakit ba ganun? Parang walang kwenta ang pagdodrowing! Hindi nakikita ng karamihan na magandang talento iyon...Bakit parang grabe ang pang-maliliit ng tao sa atin? Tayo pang mga artist ang lagi na lang napapasama?

Sa ngayon, wala pa talaga akong mapapatunayan sa mga ito pero blang-araw po sana...Kaya heto ako pilit nag-aaral magdrowing...Kaya talagang ang dami ko pang dapat pag-aralan...Pero ayokong mawalan ng pag-asa...Balang araw, mapapatunayan ko rin sa mga iyan...

Ang henerasyon nga po talaga namin ang talagang nakakaranas yata ng ganito...

Kaya noong highschool ako, ugaling-ugali ko talaga magdala ng mga comics noon...Lalu na ang mga gawang-pinoy tulad ng gawa ni Carlo vergara at iyong Lastikman ni gerry...Book month pa nga noon...Laking tuwa ko nga, nung nahilig silang basahin iyong Lastikman komiks kaya ipinagmamalaki ko iyon pati si Gerry..Sorry po talaga ah, nabadtrip lang talaga ako at kayo lang po ang alam kong makakausap dito...

Salamat po!

Here is my reply to that:

Although it is true that comics are being viewed as the lowest form of entertainment here in our country and please take note, only in our country, I think that those people who do put down this medium of entertainment are those who haven't tried and experienced reading comics at all. They could be the die-hard book readers, scholars who think that everything that is not educational is not worth their time. Or the movie/TV people who think that everything now can be learned by watching and not from reading. I remember someone telling me about a story of a guy who tried to impress a girl on a bus. "Ang ganda pala nung Hunchback of Notredame no? Napanood mo na miss?" The girl replied, "No, but I read the book." Then the guy said, "Really? May book pala iyon?" Imagine people talking about the Spider-man movie and asking in the end, "Really? It was a comic book?" Will they then change their mind and say, "Yuck Kadiri! I don't like Spider-man anymore." Do you think they will?

I believe that whatever lured me into reading comics is not because it was hip at the time or uso. It has been there for years. I loved it because of the art and soon after because of the adventures inside each cover, cover after cover. The best part of the deal is, once I buy it, I can read it over and over again and with each read, I get more information that I must have missed when I first read it. Can you say the same with video games after completing the whole sets of stages? If you will compute the number of hours, effort and money after you are done with the game, you would have already spent a fortune, more expensive than a comic book that will be your possession, a treasure to keep, a memory that will last longer than the excitement of a noisy and quickie time playing a game that will go puff like air after. What memories will it leave you? You'll go, I pushed this button and this button the right time, then I pushed this one and this one-- blah blah.

I think the only mistake you really made is expressing it so loudly to people who would not know anything about comics and the stories and art behind it. When I was still in high school, I never told anybody I wanted to be a comicbook artist. No, I'll just sit in a corner and draw with such happiness that my classmates came to see what I was doing. They should ask first before I tell them the stories I am working on. Why? It was exclusively mine, my space and my world. In this world, I am the creator and I loved my creations. When it is time to talk or play with people, I do that. I am normal otherwise. You see comics to me was never an obsession. It was me, there I am untouchable. You'll be called weirdo if you try to mix this comics thing with reality. My advice would be, who cares if they don't like what you do, as long as you do.


I have to admit, the recent years of komiks were not so glamorous like the yesteryears. Artists and writers are not given the right opportunities to live the lives that they should have if we lived in a different country. Absence of royalties and instability are eating them up inside out. But we kept doing it no matter how low we've been paid. Why? Because we loved it. We love creating comics for people who don't even know our faces, but they do know us, for each art is unique. People can identify a Vincent Kua from a Hal Santiago. We tried our best to survive but in the end, one by one, each soldier got burned and wounded and moved on doing new stuff like animation, movies, pocket books and/or paintings. Yes, paintings. Many painters came from comics, even Malang I think, and Toti Cerda. Still, people dare say that we are not artists and our work, not Art.

I think we still need to keep our act together and finally establish a new and better Komiks. As for those who have never tried the comic reading experience? Well, it may not be your thing, but I believe there are still a lot of people who genuinely love reading comics and who would probably say the same thing that I write here today – you don't know what you've been missing. I encourage you to try it. There are no guarantees, but you just might like it.

Everything is nothing without a little Imagination.

-Gilbert Monsanto

The BIG Question: How big IS the local komiks Industry?

We are coming out with a new title very soon under our very own SACRED MOUNTAIN PUBLICATIONS. The same questions always loom over every creator who has ever considered putting out a book from the deepest depths of their creative minds to the shelves for the people to read and enjoy Komiks. In the past, local publishers have no problems selling more than thirty to a hundred thousand copies every week through consignments, as newstands are so visible and scattered nationwide. However, distributing all the copies to potential buyers is now so limited that it usually takes a lot of time and effort before a good book gets to the reading public. During this time that there is a need to know the real state of the komiks industry, I would like to urge everyone who can read this to send us an email and tell us if you are among the existing local komiks readers of today. All you have to do is send us an email at smp_letters@yahoo.com and let us know if you still support the industry. Comments and opinions about the local komiks industry are also welcome. We'd appreciate if you can write your real name so that we can tally results correctly. You don't need to write your whole address but it is wise to do so, because I am going to send a little token to a lucky letter sender, just for writing to us. It is an original art pencilled on an 11x17 artboard of any character of your choice. Just don't forget to write the desired character you want me to draw if ever your letter gets picked. Please indicate "I AM A KOMIKS READER" in the subject of your email. Don't worry, this will be conducted under utmost confidentiality. Within a month I'll put here the number of responding letters for all to see, no names, just numbers.

Hope to hear from you guys soon. Please tell your friends as well.

-Gilbert Monsanto
Sacred Mountain Publications

Title other titles in KF#3

Here are the some more titles:
Kulto by Jess Grafilo Jr. and Rudy Florese




















Double Blade by Vic Poblete and Clem Rivera
















Versus by Mike Tan and Lando Inolino

A little trip down memory lane shall we?

A student of mine, Raymund Ferrer brought some of his collections of old 90's komiks including issues with my early works. I'll show you guys more of these title soon but for now, let us take our eyes unto this one first. The 3nd issue of Kick Fighter dated February 22, 1993. This is those times when video arcades are booming and kids love all them video game characters but everything else about them was so limited to alot of people. Internet was not that popular then. So Infinity Inc. made a huge risk of publishing this fight book. One of the first to come out. It was not intended to promote superheroes but Fighting in general. The cover was done by me. Although, all the characters inside are clearly parodies of the original concepts that is of course Street Fighters. Readers wanted more from the arcades and liked the title.

I've also scanned some inside pages to show you the original line up of writers and artists involved in the komiks magazine as the titles like this was technically named. During this time, I was about to quit comics. This title and BIOTROG saved my career so to speak.

He smiled :)

Last Saturday, we went to PGH for a scheduled ultrasound. The doctor said that our baby is a boy. Actually early on, we already had an ultrasound, this was on the third month of her pregnancy. The doctor then also told us that she can already see a tootoot(penis), but we decided not to jump into conclusion until the 5th month. Well, we really hoped it would be a girl this time since our first child is a cutie boy. It is perfectly okay for us as long as our baby is healthy.



During the whole procedure, as the doctor was talking about 4d ultrasound and how much it costs. She managed to show us our baby's face, and what do you know? He smiled. I guess he'll be just like his kuya Kyle who is always smiling and laughing just like their daddy hehe.

an EXODUS art

This image that I drew and colored can be seen inside the pages of Blitzworx#1, intended to be a centerfold poster but due to miscalculations it did not happen that way. We have seven superheroes here owned by seven different creators: Matrix (Lando Inolino), Jim Dragon (Jim Jimenez), Metallica (Lui Antonio), T-raw (Jay jimenez), Scyber (Gilbert Monsanto), Katkin (Roy Allan Martinez, and ISOG (Louie Salvio). We all came from the early 90's of GASI, Infinity Inc, and Sonic Triangle. I just hope that each of us still has the same dream when we started Exodus. I know I do.

All of us have been blessed with so much in whatever path we took, but the journey continues. We pledged before to do whatever it takes to improve the quality of komiks in our country, and I for one have no intention whatsoever of stopping.

Yes...

Yes, we are pregnant!:) Been meaning to post this fact for a long time now. I guess it is better late than never right? Glenda is now four and half months on the way. Funny thing that we planned to have a new baby more than a year now and we got blessed a month after she resigned from work. I guess it was all the stress from work that prevented us to succeed. So, I'd say it was all worth it.

Now I really need to work more hehe.